Monday, August 5, 2013

at the end of thought...



 the thoughtless throne
out worn and thrown out
there to assemble as one
in open weather and empty lot
unhurried as a stone...



"that there lies at the end of thought
a foyer of the spirit in a landscape
of the mind, in which we sit
 and wear humanity's bleak crown..."*

[the second stanza from "Crude Foyer" by Wallace STEVENS in Transport to Summer, 1947]


Wednesday, July 10, 2013

death in the lane


 the soil was freshly turned
the seedlings ready for planting
she glances up from her digging
and sees the blue car in the lane
oddly parked against the brambles
no one is in the driver's seat
but a dog pops up from behind
waiting for its owner

she bends to spot her tomatoes in 
one long calibrated row

at noon, she goes into the house
but loud sirens lure her back out
firemen run by carrying wood blocks
while paramedics stand helplessly 
around the blue car

she sees the dog is still in the car
barking behind the closed windows
the body lying on the ground
under a white blanket

in the dusty lane behind her house
on a most unwary summer's day
before the long weekend




"The adult consciousness of the ego,
of our present identity,
of our feelings of joy and solitude,
of what can be done and what we'll finally do
or of the world situation
is like the sudden fright that cars
produce when they plough through a field,
like the dirty deed of taking advantage
of people who show signs of weakness,
like when we feel naked, lacking in faith,
and out of contact with others..."*

[* excerpt from "Four Lane Road, 1956" by Ernest FARRE in Edward Hopper: Poems, 2006 -  translated from the Catalan by Lawrence Venuti]

For the late A.C. - a neighbour whom I have only seen walking her dogs.
 


Tuesday, July 2, 2013

o savage spirit



 ***

 "if there must be a god in the house, must be,
saying things in the rooms and on the stair,

let him move as the sunlight moves on the floor,
or moonlight, silently, as Plato's ghost

or Aristotle's skeleton."*

[*first two verses of "Less and Less Human, O Savage Spirit" by Wallace STEVENS from Transport to Summer, 1947]


Thursday, June 13, 2013

marking my clark park:: part VII




 under the almost summer sun, the portuguese congregation winds slowly past Clark Park in their annual father's day procession...
girl angels float by with their stiff over-sized wings,
followed by the flower-emblazoned litter bearing Lady Fatima...


 and the faithful band plays on, aiming for the lateral shade of the weeping willow down the hill before turning towards the home church on East 13th...



Wednesday, June 5, 2013

mushmoney



mushmush money 
mushrooming 
in diamondung
flashflash funny 
how far can be flung
the vulgar spitsplat 
of slimeymoney -
mean morsels 
for the empty sowl

Friday, May 31, 2013

the echoing moon...



"vanity guards us from introspection.
what guards us from vanity?

to think of ourselves like the moon,
dead and beautiful,
and of an origin no one can be sure of?"*

[*"Meeting an Astronomer on the Buddha's Birthday" by Diane WAKOSKI]

[the image is from a durational performance/installation entitled "Echoes" in the Audain Gallery  by Luciana D'Anunciacao, a student in the MFA program at Simon Fraser University's School for the Contemporary Arts, at the MFA Spring Exhibition "Syllogisms", March 27-Apri 6, 2013]


Friday, May 10, 2013

emily carr grad show:: rounding down

As the creative and critical tensions ramp up every wet spring to culminate in a veritable cornucopia of graduate work, the studios and galleries of Emily Carr University of Art and Design are worthy of an afternoon of sensory feasting on the output of minds and hands still mostly untainted by commercial determinants and by the jaded pronouncements of art world pretenders. 
These wide-eyed grads may be wandering into the apathetic consumerist desert, leaving their coddled cocoons of nurturing teachers and supportive classmates, giving up their delusions of artistic freedom - but they will have rounded up an expensive education in hit-and-miss guided experimentation in the arts and if nothing else, find themselves a little more well-rounded for their years immersed in institutional playtime...

Here's a literal round down of some of what caught my savage eye at this year's grad exhibit...

starting with a single unfired bowl sitting on a rough and tumble bed-slab of dry cracked clay...
 "It All Depends Upon" by Stefan Sollenius

 to multiple ceramic shelves holding configurations of round vessels of varying  shapes and sizes and drip-glazed in the palest tint of celadon...
"Stack" by Sam Knopp
[Winner of the Circle Craft Graduation Award for Ceramics]

 to these tiny colourful fruit-loop pieces crawling up the upper wall from a much more frenetic installation flowing down to spread upon the floor...
"Stones Shaped by Chance" by Allison [Sunny] Karon

 to stacks of ceramic rings strung up in random number of hoops and suspended as a floor-reaching mobile...
"Chronology Manifested" by Heather Lippold

 to a lacy net of linked black elastic bands webbing its sinister way up the pristine white wall...
 Untitled by Irene Lim-Khung

 to an abstracted seated figure of salvaged wood cradling an ominous metal phallus secured by a loose coil of woolly rope...
Untitled by Corrina Suveges

to the puffed-up pride of an oversized pillow case as metaphor for la tête idéale, its skinny red legs weighted down by un coeur de rocher...
"Mlu" by David Yen-Fu Lin


May 5 - 19

Sunday, May 5, 2013

PiDGiN PARK PiCNiC:: a poetic persiflage


PiDGiN PARK PiCNiC

on a redoubtable corner of east hastings central
the blankets are spread out on the pavement and
a few bottles of cooking wine have been uncapped.
some loiter and wait for their promissory meal -
not expecting much, not having studied the menu. 

the smell of searing drug-free angus wafts out
and whispers of foie gras on taro chips are
rather too incomprehensible for most to bear.
some lit the candles in anticipation and some
lightly polish up their pure plastic cutlery.

others strut up in their tailored redemption
averting eyes and holding righteous breaths -
not there to join the picnic upon concrete grounds
and certain other well-oiled principles...
"feed them pigeon pie, let them eat crow! -
no need to brine/purée/infuse/foam
for the unindoctrinated", they sneer,
swishing into the white indemnified room.

no, not until they lay down their arms,
their un-artful and belligerent signs,
their flaring convulsive anger - and not
until they stay down on their filthy blankets,
will this fusion picnic ever happen...
if ever.


Sunday, April 21, 2013

before the love...



 "In the silence he hears an answer coming.
From far away.  A kind of coarse child's voice.
It rises, a bellowing from the hill.


A roar of mingled notes.
A long-hoarse trumpet from the Iron Age.
Perhaps from inside himself."*


[*last two verses from "Downpour over the Interior" by Tomas TRANSTROMER, 1966...translated from the swedish by Robin Fulton, 1972]


Sunday, April 14, 2013

springwall


immutable stillness leaning on a century...
                 emotive veils of fading jade tears...
                                come spring, this pale spring, to shanghai alley...