Monday, September 24, 2012
downtown westside:: the sexy sixties [episode two]
You may not see the rigid concrete forest for the trees, but the impenetrably dense massing of reinforced concrete soars upwards as high as the old growth in the lush forests that MacMillan Bloedel had been sawing through for decades...
The late venerable Arthur Erickson [1924-2009] designed this raw concrete tapering tower back in the still freshly brewed essence of modernistic grinding through the 1960's - and steeped in his immersion of Japanese aesthetics, he applied the dictate of material integrity to his Emily Carr-inspired vision of gargantuan nature dominating the west coast landscape...
the offset halves of the west side facade with slim ribbons of glazing running down like rivulets of rain water...
27 storeys of deeply recessed windows with 7 foot square panes of glass create vertical waffled pools of watery reflections...
the offset halves of the east side facade ascend as tapering trunks of denuded giant firs...
around back, the brutalist effect of a medieval fortification is tempered by the elegant grey smoothness of sandblasted concrete and the bush-hammered texture of a solid elevation...
despite the thickset gridding and massive heaviness of concrete, there is a repetitive grace and a certain meditative quality to the geometrical formation that is the main facade of this stripped down monolith to a once ruthless clearcutter of tall trees in ancient forests...
"I don't think concrete is beautiful per se, but I think if one accepts it as the building stone of our century one find beautiful qualities in it - its earthiness, its mass, its traces of how it's made - I really do like it."
[Arthur Erickson from Seven Stones, a Portrait of Arthur Erickson by Edith IGLAUER]
MacMillan Bloedel Building
1075 West Georgia Street
Arthur Erickson and Geoffrey Massey, 1968-69
Saturday, September 15, 2012
duchampion ready-made jeu de boites...
...and oh so last century...
*"5. Many ready-mades had an intentional, aesthetic quality as their origin and were not mere anti-artistic gestures, as was frequently thought during the 1950s and '60s. It is also necessary here to distinguish between examples. In any case, it seems essential to elucidate in each particular case what is the exact nature of the aesthetic meaning and what is its likely evolution."
[*from 'The Meaning of the Ready-mades', p.29 in Duchamp: Love and Death, even by Juan Antonio RAMIREZ, translated from the spanish by Alexander R. Tulloch, Reaktion Books, 1998]
[corner of East 21st Avenue and Prince Edward Street]
Sunday, September 9, 2012
sleuthing through finn slough...
A few minutes south from the glitzy hustle-bustle of Richmond central flows a murky narrow slough off the Fraser River into a falling-down rustic clump of a fishing village more than a century old...
A few kilometers from the end of the towering concrete pylons of the Canada line skytrain is sited a marshy block of patchwork cabins and rusting boats that is a world and a half away from the big box chains, the asian megamalls, the multi-glut of restaurants, and the monstrous maxi-mansions...
But here, on a sun-drenched late summer's day, the micro community of Finn Slough chills to the ebb and flow of the tide, the soft whirring of swallow wings, the gentle swishing of boats tied up, the creaking of worn boardwalks across muddy stretches...
Here, too, the wary inhabitants tolerate dog walkers, excursion cyclists, curious history buffs, enthusiastic sketching artists, over-excited photographers tired of urban scenes, the odd blackberry picker, and first-time sleuths from the sympathetic republic of East Van...
And here, this picturesque mucky strip of a historical Finnish settlement is now threatened by encroaching development and the "raze the rotting pile" mentality of short-sighted, quick-buck, bottom-line feeders with complete disregard of history or ecology or conservation, and obviously a most insensitive lack of appreciation for its rusticated nordic-riverine splendour...
Finn Slough along Dyke Road at the south end of No. 4 Road, Richmond
Labels:
dysfunctional objects,
eviscerations,
Finn Slough,
ravages,
Richmond
Sunday, August 26, 2012
the Del Mar unmarred...
George Riste RESISTED THE DIVIDE at all costs and his building still stands today in david-defiance of the BC HYDRO dam of a goliath menacing from behind...
Old altruistic George has since moved on to the Great Beyond but his noble and stubborn stance against corporate behemoths will ensure that this centenarian house of clean and happy tenants lives on undisturbed till time immemorial...UNLIMITED GROWTH be damned!
*NOTICE*
This property is
not for sale and it
has not been sold.
Thank you.
The Owner.
DEL MAR Inn [SRO housing]
553 Hamilton Street
OR Gallery [non-profit art gallery]
555 Hamilton Street
[more info on the DEL MAR on blog.ounodesign.com ]
Labels:
Del Mar Inn,
hamilton street,
old signs,
upspotting
Sunday, August 19, 2012
shedding still...
yes-today commiserates no-morrow...
and to pre-borrow is to re-borrow
from the next time for the this time,
from yesterday ever to the morrow...
Monday, August 6, 2012
the last quiet notes...
When I heard that the Mansion was slated for re-development and its end days are drawing near, I felt that I should find a way in to record a little of its brief history as a communal house for some of East Vancouver's cool musicians...
I was let in on a couple of days when the house was quiet, resting between gigs and practices, and when most of the occupants were preoccupied elsewhere...
I found this bright orange satin cushion half hidden in the over-grown back garden - a pumpkin pretender tossed nonchalantly from a house where all that music will soon fade away...
[thank you, Marita, for letting me in]
[and thank you, Greg Girard and Emily Carr, for the assignment]
[and thank you, Greg Girard and Emily Carr, for the assignment]
Saturday, July 21, 2012
kingsway long lived...[vancouver stretch]
On a recent Saturday evening when the sun was less intense, I biked a length of Kingsway from Victoria Drive all the way to Boundary - going south east along the north sidewalk and back north west on the south sidewalk [it was dinner hour and the sidewalks were mostly deserted] - and found a long street more than a little lost in time despite being a fairly busy thoroughfare connecting Vancouver center [at Main Street] diagonally to the Burnaby- New Westminster border... [It was known as Westminster Road when it was first constructed and renamed Kingsway in 1913]
The blocks are comprised of mostly low rise modestly nondescript commercial buildings, some with apartments above, and the businesses are still small family run shops and simple restaurants of various asian flavours...
a disco flashy torso in a closed for the night beauty parlour draws the eye...
while next door, an empty restaurant waits serenely for customers...
an upholstery shop so left over from another era...
and a signage post from the 1960's for a fast food restaurant remains standing...
the meticulously kept cluster of bungalows that constitutes the 2400 Court Motel exudes a mid-century wholesomeness that has somehow defied the marks of time and evolving tastes...
unlike the corner grocery store that has succumbed to the changes in buying habits and the neglect of neighbourhood support...
the Dream has died with this ex-wedding shop...
and Kimmy's desperately needs a face-lift!
The blocks are comprised of mostly low rise modestly nondescript commercial buildings, some with apartments above, and the businesses are still small family run shops and simple restaurants of various asian flavours...
a disco flashy torso in a closed for the night beauty parlour draws the eye...
while next door, an empty restaurant waits serenely for customers...
an upholstery shop so left over from another era...
and a signage post from the 1960's for a fast food restaurant remains standing...
the meticulously kept cluster of bungalows that constitutes the 2400 Court Motel exudes a mid-century wholesomeness that has somehow defied the marks of time and evolving tastes...
unlike the corner grocery store that has succumbed to the changes in buying habits and the neglect of neighbourhood support...
the Dream has died with this ex-wedding shop...
and Kimmy's desperately needs a face-lift!
Monday, July 16, 2012
marking my clark park:: part V
We could hear the eaglet's shrill cries from our house and we had spotted his parents soaring high above the park - our modest little park! This is the first time Clark Park has hosted a bald eagle family and a few days ago our older son found the tree that they had set up home in...
The nest is quite hidden amongst the branches but daddy eagle keeps watch nearby, and every once in a while, an obnoxious crow would dare to taunt him and he would have to chase it away...
Around the base of the tree [mysteriously labelled WPC], there was scattered a small offering of flowers for the birth of a majestic but now sadly urbanized bird of prey...
Saturday, July 7, 2012
industrial grace
"You want a picture of that ugly building?!" asked the old guy dismissively as he climbed into his car parked near to where I was standing to take my shot.
Without lowering my camera, I smiled at him and nodded yes. He didn't wait for an explanation.
If he had been really interested, I would have told him that I frequently sought out old industrial buildings particularly for their disheveled and dilapidated state - that I find a certain solemn aesthetic quality in their decrepitude and the worn integrity of the utilitarian materials used, and that often the cubistic massing of structural forms resulted in an overall unexpected architectural grace...blah, blah, blah...
And he would have laughed in my face and gone away wondering about my sanity - but without a second thought to that monumentally humble temple of industry again...
460 Industrial Avenue
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