Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Wednesday, June 8, 2016

WilMar:: letting the light in again



The WilMar House on Southwest Marine Drive is one lucky oldie to have escaped the demolition crunch. It had been occupied by three successive generations of the same family since it was built in 1925 by Willard and Mary Kitchen, and the last one and only granddaughter died here alone in 2006. She had bequeathed her whole estate to the Vancouver Foundation which has since sold the property to someone who is willing to save the mansion by modifying it into two separate units and adding a few more houses on the two acre site.


Having the opportunity to visit it on a recent Vancouver Heritage Foundation House Tour, it was an unexpected surprise to find this large Tudor Revival style house left mostly intact in its original state. It has been unoccupied for almost 10 years now but maintained in good condition. Windows were uncovered of their plywood boarding, the rooms aired out and light flooded in once again to welcome strangers into the reclusive spaces on this sunny spring morning...














The separate coach house with its unfinished interior and barn-like atmosphere... James would not have been happy living here, even if he could drive some fancy cars!





Saturday, May 3, 2014

powell less



Their world never coagulated again after the war. They were interned and then scattered, losing all that they once had in a vibrant community that was 50 years in the making across the wide ocean from their island home. They came to log and fish and cultivate and build, and within a few tumultuous months in 1942, they were all gone.

Walking along Powell Street today, there is not much to indicate that this was the main street of a once bustling Japanese community. A few buildings with Japanese names of long forgotten owners leave a faded memory of more enterprising and prosperous days. The Japanese Hall on Alexander Street was the only property redeemed by the few Japanese who returned in the 1950's and it still operates as a language school and cultural centre to this day.




The Maikawa family built their dream department store with an au courant art deco facade to house the newest and the latest - it was the largest and most modern department store in Japantown when it opened in 1936, but would all too soon be forfeited to the government. Now it sits neglected and slightly decrepit in silent resignation to its fate.




These buildings bearing the weathered and damaged signs of "Lion Hotel" and  "King Rooms" were once rooming houses above storefronts that included a traditional Japanese bath house, an archery club, an athletic club, a restaurant and even a rifle gallery. The name of "MORIMOTO" set in tiles in front of the main door has remained as a humble legacy of the mysterious namesake now long gone.


*****

The header image for savage states above is a detail of the entrance wall to the "Hotel World" built in 1912 by S. Tamura, a merchant and speculator.




Saturday, October 5, 2013

lost in the woods...



the waterlily pond stasis of a clogged giverny
with artful conventions in a wet coastal setting,


and hidden within this pedicured city garden
lurks the overgrown portal to an interior forest...


the tree trunks reconfigured and reassembled
to hold up the rainproof canopy and glass curtains -

all trying to keep the forest sliver within safe 
from being quite lost to the deep dark woods...




The Forest Education Centre in the VanDusen Botanical Garden was built in 1976 by Vancouver architect Paul Merrick.  Originally underwritten by MacMillan Bloedel and featured as "A Walk in the Forest", it was donated to the Park Board in 1986, which continued to offer educational programs until 2011.
This relatively unknown diminutive glassed "babylon" of westcoast modernism is now considered for demolition, or repurposed into a glorified outhouse!

For more information... awalkintheforest2013.blogspot.ca

Wednesday, September 11, 2013

downtown westside:: the sexy sixties [episode three]






The Guinness Tower [by Charles Paine & Associates, 1969] is as sexy as the International Style gets back in provincial 1960's Vancouver. Almost 50 years on, it can still hold its own with its sleek proportions, its silver threading through aqua-green glass, its seductive black "leggings", and its ageless integrity. Mies van der Rohe would be justly proud of this well-heeled derivative of his own tall pristine temples.
And, of course, thank you, Guinness family fortune.

Within this paean to Miesian symmetrical sexiness is a full-wall tile mural in the lobby that is so unexpected in its large scale chaotic surrealist conception, as only a one-armed wild-haired Catalan artiste from the realm of Gaudi can execute. Entitled "The Fathomless Richness of the Seabed", the ceramic tile abstractions sweeps one into a maelstrom of swirling sea creatures and blue tidal depths in low relief. I learned about an artist whom I have not known of before - Jordi Bonet, born in Barcelona in 1932 and after moving to Montreal, sustained a most prolific practice in painting, sculpture, ceramics and public wall installations during his short life.
And thanks again to the fathomless wealth of the Guinness family, we are graced with one of his magnificent, albeit a little hidden away, creations in our fair city of aggregating richness.







The Guinness Tower at 1055 West Hastings Street
Completed in 1969 by Charles Paine & Associates

*Please enjoy my new photo-essay book, BARCELONA PRIMITIVA, available for previewing on blurb.ca/b/4589830-b-a-r-c-e-l-o-n-a-p-r-i-m-i-t-i-v-a

Saturday, March 23, 2013

canada re-posting...




When I recently heard that Canada Post has plans to close and sell off the Main Post Office building in downtown Vancouver, it reminded me that I have a few photos of it in my archives that I have been meaning to post for some time now... [And since I have been dawdling over this post, this huge modernist ship has already sailed off to new owners, who have as yet unformulated plans for it, besides the ambiguous "large-scale mixed-use development" response to queries!]

The General Post Office [as it was previously called] at 349 West Georgia Street is a squat bulky structure sprawling over an entire city block with a no-nonsense functionality to its demeanor. Designed by McCarter, Nairne, and Partners [the firm that also designed the stylistically different Seaforth Armoury building on Burrard Street that I had posted about earlier], it took five years to build and was completed in 1958.
It was touted as the world's largest steel-welded structure of its time and sported a rooftop helipad for those deliveries of an urgent and delicate nature! [James Bond-style postal missions notwithstanding, that well-intentioned heliport had never seen much action!]
There is also a 2,400 feet long conveyor belt system running underground to the CPR Waterfront Station that was not utilized for any secret deliveries either!

The frontal façade above the colonnaded walkway is dimpled with blue terra cotta insets and stamped by two massive cast aluminum Canadian crests. The columns along the walkway are of polished grey granite while the exterior walls are warmly clad with russet granite panels.

The building is comprised of 5 stories stretching the full block length with an additional 3 floors rising on slender columns on top of the main structure. [The original plans included a taller tower above but was stunted due to budget constraints.]

This bas-relief sculpture of the elegantly caped-and-capped postie was made by a now forgotten European sculptor with a local studio [signed P.K.-HUBA on the sole of the postie's right boot, but I could find no trace of him mentioned elsewhere].  
[I know the daughter of Ronald Nairne [the architect] who remembers visiting this sculptor's studio some Saturday mornings with her father to check on the progress of the work and  the sculptor would allow her to "help" him with parts of the piece [the draping part of the cape, she pointed out!].  He also made a bust of her that she still has, but she doesn't remember much else of him either.]





*****


Within the building itself, I was restricted to shooting only in the public areas - although I will try to gain access to other parts of the building on a later date if I can obtain permission somehow...



High-quality aluminum was used for trims, post boxes, long tables and window frames that were provided by one of England's largest and most venerable window manufacturers at the time.



Canada Post will be moving out of this building to new facilities by the Vancouver Airport in Richmond in 2014.  It remains to be seen if this example of west coast institutional modernism will be saved, reinterpreted and forwarded on as a purposeful current address!

More information on this building can be found on the Heritage Vancouver website.



Tuesday, December 4, 2012

the modernist past...


there is history to be had beneath the starry dome,
sequestered in elderly cabinets dimly lit...

fading away in the worn wings of concrete lace,
to linger to bury to pass on by and look beyond...

through the teary glass the unreachable growth,
flooding a courtyard of curvilinear silences...

the ancient rain insisting, hidden caverns revealing,
moth-tattered chinese pardons neon flickering meta-nouns...

*****






Museum of Vancouver
H.R. MacMillan Space Centre / Planetarium
Designed by GERALD HAMILTON
Completed 1968
Stainless steel CRAB sculpture by GEORGE NORRIS
1100 Chestnut Street