Showing posts with label painterly walls. Show all posts
Showing posts with label painterly walls. Show all posts

Saturday, December 22, 2018

la casa deshabitada... (after E.Diego)



"porque llega un hora en que todas las casas se despueblan de sus ruidos mortales..."*

(there were cut bunches in buckets and stacked in boxes
everywhere, and they came very early in the
mornings to gather for their shops,
for their homes)

the abandoned building sits on the edge of chinatown, slowly corroding in the rain...

***

"y las vidrieras son frias como esos invernaderos desolados..."**

(even on the coldest day, the tight blooms and bundled greens
suffused the air with their dying scents,
their fading colours so composed
for a little longer)

a warehouse filled with flowers traded in kindnesses by the 3 chinese brothers...

***

"y es como si no hubiese venido nadie, como si nadie mirase los recintos del hombre,
bajo los astros."***

(that was many years ago and most will not remember this
as a place for the joy seeking, for the death
honouring and for the every day
of the living)

and where the brothers now, where grow the lilies, where stars still shimmer on...



*selected lines in spanish from "Bajo los Astros", a poem by ELISEO DIEGO, 1920-1994 
(translation by Kathleen Weaver, 1982)
*"because an hour comes when every house will empty of its mortal noises..."
**"and window panes are cold like those bleak greenhouses..."
***"and it is just as if no one had ever come, as if no one had seen the haunts of man, under the stars."




Thursday, July 14, 2016

vive le romantisme...




even in the wealthiest enclave, there can still be found undisturbed riffs of a more romantic era, when secret lovenotes were passed through ornate iron gates, and devotion scratches on mossy walls hid behind a curtain of ivy... then the long quiet walks through lush overgrown gardens...


well before over-indulged children roar their maseratis through the wide leafy boulevards and wander lonely through their immaculate mansions in a loveless virtual ennui...

Sunday, April 14, 2013

springwall


immutable stillness leaning on a century...
                 emotive veils of fading jade tears...
                                come spring, this pale spring, to shanghai alley...

Monday, August 6, 2012

the last quiet notes...


 When I heard that the Mansion was slated for re-development and its end days are drawing near, I felt that I should find a way in to record a little of its brief history as a communal house for some of East Vancouver's cool musicians...
I was let in on a couple of days when the house was quiet, resting between gigs and practices, and when most of the occupants were preoccupied elsewhere...










I found this bright orange satin cushion half hidden in the over-grown back garden - a pumpkin pretender tossed nonchalantly from a house where all that music will soon fade away...

[thank you, Marita, for letting me in]
[and thank you, Greg Girard and Emily Carr, for the assignment]


Sunday, June 3, 2012

door no more


 "Ara baixare les escales que donen a l'exterior i no penso defraudar."*
[Now I'll descend the stairs that lead outside and not worry about letting anybody down.]

*the last line from "Stairway, 1949" by Ernest FARRES, translated from the Catalan by Lawrence Venuti, 2009 [from Edward Hopper: Cinquanta poemes sobre la seva obra pictorica (Fifty poems on his pictorial work; Barcelona: Viena, 2006)]


Sunday, February 5, 2012

dot dot dot... stripes---





without the perkiness of such contagious red spots the modest post-war bungalow and her attendant garage above would be plainer than jane...

and without the bright  blue and green horizontal banding on these humble eastside apartment buildings below they would be much less average that joe...
 


Monday, May 16, 2011

sidewall consign

Often I am compelled to check the sidewalls of older buildings for faded ghost signs left behind from another era or lavish markings by free spirits with lifted cans of spray paint or some other mysterious images of indeterminate origins...

 off Fraser Street...

 off East Georgia Street...

off Main Street...

off Campbell Street...
[I believe I was on gang turf as I was shooting this sign in the side alley as a racy black car with tinted windows pulled up real close and waited until I took off on my bike again!]


Friday, October 22, 2010

MAIN-taining

Main Street a few blocks north and south of Broadway has evolved into a hub of hipness so mainstream it has lost some of its hard-earned edginess - and has inevitably acquired the flash flood of corporate chain and condo development dredging...
And yet on a sunny fall weekend during another one of its frequent street festivals - SHIFT? SHRIFT? SIFT?? - the essence of the Main of yore faded in and out of my consciousness, like an old movie that hasn't quite finished unreeling...






[note the new incongruous TIM HORTONS (in the above window's reflection) now ensconced in the cool old marble and glass bank building on the southwest corner of Broadway and Main]





[glue-splotch pattern left after the sign was taken down when the store had to close from damages of a fire next door and a few over]

[during the street festival, the resident of this apartment posted this heartfelt note that was barely visible from the street below - no one paid any attention by turning the music down!]


[where the fire had started and razed, now waiting for a new configuration of commerce]

[but gracious living still goes on around the corner...*]

*more images of the WENONAH in my next post...

Sunday, September 19, 2010

the undriven Drive

I have walked Commercial Drive a thousand times over the many years that we have lived in this neighbourhood...and the energy and atmosphere is not so different as it was...
The changes in ethnic and age demographics are evident, as are the comings and goings of certain restaurants, cafes, and sundry businesses, but much have also stayed the same...
Look beyond the Starbucks and fast food chains, the busy pub-bistros, the encroachment of Main Street hipsterism, and we still have Norman's and Santa Barbara's bountiful boxes, the always helpful guys at the stuffed to the rafters Magnet Home Hardware and in the recently reduced by half in size Kitchen Corner, the full-frontal Italian kitsch of Calabria, the crazy stock-jam at Beckwoman's...
Yet, change is inevitable as owners retire, rents increase, buildings get renovated, and now with Grandview Park being torn up for a total makeover, the north end of Commercial will be somewhat sanitized to attract a different populace to come...
And as I walk down the Drive on another lovely end of summer's day, I find my appreciable bits and pieces still in their usual suspect places, albeit barely perceptible to most who pass them by...


this sign has been so forever there that you wonder what you can still possibly get for 4 cents...


one of the last "minimally abstract" patchwork walls that has not been "defaced" by officially sanctioned and government funded anti-graffiti murals of questionable artistic merit...

post of a million staples - an anthropic stitching of words and images now long gone...


vestiges of sloppy paint jobs and ripped off vine creepings on a side wall...

disintegrating address on a building in a similar state...

a shaded glimpse upwards provides a graceful relief from the street level visual cacophony...

the lost art of custom tailoring capitulating to the art of customized coffees across from the soon to be new and improved Grandview Park...

groundswell tags to claim ownership of their tiny patch of the unswept sidewalk outside Santa Barbara's...


and across the street, the old silent trees stand stoically as they rip up the ground around them, just as the tired ancient faces of Italy and Portugal look out from their dedicated cafes at the post-punk martyrs and enlightened ethnic food shoppers stomping and chewing their way down the Drive in droves...

Saturday, July 24, 2010

behind gallery row

South Granville Gallery Row is "The number one destination for ART" according to its own proclamation -
and true, many of the city's most established and venerable art galleries are strung out along the west side of Granville Street between West 5th Avenue to West Broadway [with a few further south before West 15th Avenue]
Of course, the alleyway behind the galleries is almost as impeccably kept as their interiors, but I managed to expose some accidental art all the same - the raw and rapacious expressions of anonymous artists, unaware, and yet perhaps all too aware, that their rapturous creations may catch the oblivious attentions of dumpster divers pushing their rickety shopping carts as well as gallery owners parking their fancy european models alike...



primitive multi-pole pyro-peel mix-media studies - [also categorized as expressionistic torn-and-torch relief collages]...
[behind Granville Fine Art Gallery]

a partial figurative representation in somewhat random sequential multi-media narrative...


illusionistic photo-based pastiche on paper and wood post with graphic paint running-overlay...



large scale photographed architectural elements surface-collaged onto actual architectural elements...[so very clever indeed - truly brilliant!]


con-textual affirmations as desperate artistic gesticulations, thus provoking such pithy profound insight...as always...
[behind Monte Clark Gallery]


a minimalist study in graffiti-proof grays delineated by the faintly perceptible brick pattern and unexpectedly highlighted by a spot-splatter of "fowl-white" [from an all-natural organic digestive juice paint selection]*... 
[behind Equinox Gallery]

*please indulge me my oddly acculturated and floridly eccentric "artspeak"...just because ostentatious blah-blah-blah about art is almost as much fun as making the damn thing itself...

[Disclaimer:: "I was an art student once - but was never arrogant about my art student discoveries, because it has all been done before! - Really!!"]